I had 50,000 words of draft 4 of my novel-in-progress and all had been running smoothly; heavens, I was even writing in Paris! Okay, not in an attic, still you get the picture and then boom. The plot became bogged, main character motivations became muddied, key turning points were arriving too early or too late in the narrative and the whole boat was listing badly, if not actually taking in water and sinking.
What had gone wrong?
I had been rattling along and feeling pretty good about my writing and thinking hmm, I should have draft 4 finished and ready to send to the assessor by the end of this year. By late yesterday I knew that it was not working: the narrative arc stalled exactly as I had read about and been warned about in writing workshops.
We have all read novels which start with a bang – original, tightly paced, sympathetic characters, interesting location and all the rest – and then it loses momentum, becomes flaccid, drifts, labours to make points and seems stale. Then we hit Act 3 and we pick up steam and sail into port (to muddle a few metaphors).
What to do? Back to the assessor’s comments to see what I had forgotten in the excitement of being in my own little world of writing every day and then, painfully, back to read the manuscript from page 1 to see where it had stalled. I was horrified to discover how much I had ‘forgotten’ of the detailed assessment discussions and reports and was able after a couple of hours of close reading of my manuscript to see where it had fallen flat. More sighs and then major surgery: deleting chunks of ‘fine writing’ which slowed the narrative and added nothing and bringing forward 1 turning point and delaying another.
Time will tell if the problem is solved. I comfort myself that at least I could tell when the words were dying as they fell from my pen.
Back to work with a lighter heart ….
Tag Archives: motives
The Camino is not a race
I was reminded of this truism when a passing acquaintance sneeringly dismissed the Camino, saying ‘Oh yes I’ve done [sic] the Camino, it is just a bunch of people racing from one refuge to another to get a bunk for the night.’ It can be this and we have all seen those who appear determined to ‘do it’ as fast as possible; I met one woman who had walked from Geneva to Santiago and immediately turned around and was walking back, averaging 40 km per day with no pauses. It would be easy to say that this pace was blinding her to what was around her and that she was ‘missing the point’, but what was the point for her? A few hours in her company and it was apparent that she was experiencing a personal crisis and this was the best path for her to follow. The first time I walked part of the Camino, I knew my competitive nature well enough to be fearful that I would be one of those who did it at top speed and then wondered what all the fuss was about; so I forced myself to stop for a day every four or five days in a small town or village where there were no sights I would feel obliged to see, nothing I would feel compelled to experience for dread of the comment later ‘Oh, didn’t you go and -‘. Of course then I started to feel superior to those who did not do this and it took last year’s walk from Le Puy en Velay to Pamplona to help me see that this is pure ego and judgement. What does it matter how we walk the Camino? To state the obvious, we reach the same point via different paths and each path is equally valid, so let it go and just walk it as you want. If a driven and competitive creature like me can let it go, well then…
My fictional characters are walking because each has suffered great loss and sorrow and each is seeking forgiveness and most difficult, self-forgiveness. If others wish to do it as an adventure or as a bucket list tick, so be it.