Monthly Archives: November 2014

Death: I am a part of all that I have met

On Sunday a friend died, perhaps she took her own life, perhaps not. She was not a close friend, others closer to her are grieving deep as I write; for me she was a smart, funny and caring person whom I liked and respected.

Her death shocked me and it has triggered profound memories of friends and family whom I have ‘lost’ over the years. In my student days from drug overdoses deliberate and accidental and later in life from cancer, the number one killer far above mental illness as number two and any other cause negligible. Some were ready to leave, others resisted to the last.

So, it has left me numb and triggered the predictable reactions of grief, sorrow, sad memories, questions about what is truly important in life and how to lead a good life and the importance of showing others that we love them and value them.

Nothing original here.

The beautiful title line is by Tennyson in his “Ulysses”.

What has intrigued me since Sunday is our use of the word ‘loss’ to describe our emotions. We ‘lost’ a loved one or the world has ‘lost’ a beautiful person. I understand why we say it and I say it myself, for they are gone and we remain, but now I am wondering what it means to say ‘lost’?
I write here of myself, I do not speak for others.
They are ‘lost’ in their corporeal selves – ‘never again’ to touch or to speak – but they are not lost to our memories and in their acts and shaping of others and not lost to the world except in an immediate, concrete, tactile sense which is never again. They are gone from me. I don’t know how to put this in words, nor what are the right words. what I do know is that I have spent four days puzzling over the word ‘loss’ and understanding it intellectually yet with a gnawing feeling that it is not adequate.

Death is a rupture. There is ‘before’ and there is ‘after’ and nothing is the same.

This is not about finding euphemisms for death, it is about finding the right word, if indeed one word can capture the emotional intensity of death.

NaNoWriMo: shaking the cliche tree with a side order of adverbs

First, what I have done right is blast out 40,000 words in 20 days putting me ahead of schedule and confident of hitting the goal. Interestingly, at least to me, I think 50,000 words will be all the story needs; that is, this one will be novella length and probably less than 50,000 when revised and edited.
So, what have I ‘done wrong’ to maintain this speed?
Used lazy cliched expressions; I haven’t quite sunk to ‘speaking through clenched teeth’ or ‘the clouds were like fluffy white sheep gambolling in the sky’, but I’ve given the cliche tree a good shake.
Sprayed adverbs like a child with a can of paint on a white wall – the school of ‘she crept slowly and quietly along the dark and gloomy lane, the trees hanging limply – ‘ well, you get the idea. Sure keeps up the word count!
Instead of hesitating whether ‘resolved’ or ‘decided’ is the most appropriate word and getting sidetracked in the process, I write ‘thought’ and hurry onwards. Revision comes later.
When arriving at a complex plot point, instead of hesitating etc as above, I think of any dramatic development and hurry onwards as above etc. I killed off a main character yesterday, much to my surprise and you know what, it works. If I’d pondered and procrastinated, I suspect I would not have done so and the novel would be the poorer for it.

Finally, it brings back the good old days when I wrote my PhD at top speed to crazy deadlines after three years of surfing and partying instead of doing much actual research. A much maligned skill which appears to have lasted a lifetime!
All’s well that ends well as an actual great writer once said.

100 sad words

we need to talk
I’ve met someone else
I’m going back to my boyfriend, I still love him
you’re adopted
we’re letting you go
I regret that your application has been unsuccessful
your manuscript does not fit our schedule at this point in time
the tumour is unusually aggressive, sorry
mummy and daddy are getting a divorce
missing in action, presumed dead
I’ve been expelled/suspended
your final appeal has not been successful
sorry, no vacancies
there seems to be a problem with your credit card
we are not hiring at this time
there is nobody here of that name

Suggestions?

100 happy words

I love you
I’m pregnant
Mother and baby are fine
There is no sign of the tumour, we don’t need to see you for six months
I’m coming home
We’ve found your daughter safe and well
The war is over
You’re hired
We loved your manuscript and will send a contract to you shortly
You won
Unicorns and dragons are real
We find you not guilty
Parole is granted
Sold to the man in the third row
I changed flights, I was not on that one
I can feel a pulse, she’s alive
And they all lived happily ever after

Suggestions?

NaNoWriMo: writing a sequel

yes, l am writing the sequel to my second draft completed and much more work to do novel manuscript. Bizarre, no? Not really.
1. I need distance and time away from my manuscript of 78000 words while I decide whether to do a third draft or to send it to an assessor for independent professional assessment. Writing a novel in a month, the infamous NaNoWriMo exercise, gives me time to reflect.
2. Maybe as important I have had the sequel in mind since early this year; sitting at my computer, sometimes the words flowing and feeling right and other times squeezing out words like dead flies accumulating against a window pane on a hot summer day in Australia. Inspiration struck on how I could continue their story and make my key characters suffer and suffer. Like every writing workshop tells us, right? Make them suffer! Oh trust me, they suffer for their love.
3. So, Tom and Anika are back! Spoiler alert: now you know they survive what is thrown at them on the Camino as they struggle in the maelstrom of murders. Ah, but you do not yet know how they survive and I agree that I have been slack or, more accurately, deliberately withholding, on that score.
3. Writing a sequel is also fun! My characters are so familiar, I know them like friends; what clothes they wear what they eat, how they talk and argue, how they walk, their little quirks and likes and dislikes and how they have aged and changed six years later as ‘the author’ puts them through their paces once again.
4. Writing 50,000 words in a month is quite exhilarating simply to rattle words on the screen without lots of prior planning and without a study full of index cards on boards or Scrivener corkboards! Totally different to my normal approach.
4 days down and 8,200 words in the bag = so far, so good.